There's a lot of photographers obsessed with gear. A lot. This can apply to anything, including having an arsenal of lighting equipment on hand to craft some amazing images. While having loads of options is always nice to have, sometimes all of that hassle isn't even necessary. Don't get me wrong, I too have an arsenal of lighting gear with a constant thirst for more. Sometimes, though, people can let their gear lust hold them back from creating something beautiful just because they "don't have enough lights". Sometimes this may well true, but I want to show you a way to simulate the look of having a multi-light setup using a single, creatively placed light...

   This is going to be a long read. Grab a cup of your beverage of choice and relax as I explain how I shot 30 photos with different lighting setups. I've got lighting diagrams, ideas for alternatives and some food for thought that will hopefully get you thinking about lighting in ways that you may not have thought of in the past. I really wanted to hone in on the lighting with these photos, so no fancy concepts (usually) and just a simple black backdrop to make the lighting the main focus. I limited myself to no more than three lights max so you don't need a huge studio with a million lights to try these out for yourselves. So without further ado, let's get started with photo number one...

   Clamshell lighting is one of those lighting techniques that should be a staple in every photographer's lighting repertoire. It's a classic lighting setup that offers gorgeous lighting for all kinds of portraits from beauty to corporate headshots. It's actually very simple to do as well. All you need is a soft light pointed down on your subject for your main light and some kind of bounce to fill in the shadows from below...

   I've been feeling kind of stuck recently with how I how subjects. I guess stuck isn't necessarily the right word. You know how people usually have a few go-to food choices and they rarely ever stray from those? That's how I've been feeling with my portrait lighting. Every photographer has a few lighting setups that they use which they know will work if all else fails. I feel like I've been relying on these choices like a crutch. It's not that I don't know other lighting techniques, I know more than I'd ever need, it's more a feeling of a lack of creativity...